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In the 2011 book The Queer Art of Failure, Jack Halberstam explores how “animated animals allow us to explore ideas about humanness and alternative imaginaries in relation to new forms of representation” (33). Whether or not it was Stephen Hillenburg’s intention, a tone of queerness pervades SpongeBob SquarePants: an anarchic and irreverent fluidity that can’t be boxed into traditional notions of gay, straight, or asexual. Their responses ranged from claiming that the characters are all gay to praising the show’s tolerance for flamboyant personalities.
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For the The Wall Street Journal article, “Something about SpongeBob Whispers ‘Gay’ to Many Men”, journalist Sally Beaty asked a few gay men in Greenwich Village why SpongeBob had become popular within the queer community. They assumed that for SpongeBob SquarePants to be understood as a “gay show”, SpongeBob and his friends had to explicitly identify as queer.
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At the time, Cathy Renna of GLAAD commented to PlanetOut, “He’s a sponge how can he be gay?” In their dry and literal responses, Hillenburg and Renna were seemingly unaware of the anxiety percolating beneath these religious advocacy groups’ accusations.
SPONGEBOB GAY SEX MEMES SERIES
In 2002, after both Christian advocacy groups and gay men claimed that Spongebob SquarePants was a queer television show, series creator Stephen Hillenburg told The Wall Street Journal that he never intended his characters to be gay he’d considered them to be, in fact, “asexual”. They’ve left the fantastical, underground realm of Bikini Bottom and have entered our reality. Krabs (Clancy Brown) follow SpongeBob above water, each of them transforming from a bright and colorful cartoon to a shriveled depiction of their former selves. Patrick (Bill Fagerbakke), Squidward (Rodger Bumpass), and finally Mr. SpongeBob’s voice, unlike his appearance and surroundings, maintains its animated innocence, creating a jarring juxtaposition for the viewer. In Bikini Bottom, drag shows start instantaneously.